A Long Way From Chicago: A Novel In Stories – Richard Peck
Each summer Joey and his sister, Mary Alice—two city slickers from Chicago—visit Grandma Dowdel's seemingly sleepy Illinois town. Soon enough, they find that it's far from sleepy . . . and Grandma is far from your typical grandmother. From seeing their first corpse (and he isn't resting easy) to helping Grandma trespass, catch the sheriff in his underwear, and feed the hungry—all in one day—Joey and Mary Alice have nine summers they'll never forget!
Review: This was a forced read for me. I needed a middlegrade book
with an unusual narrative structure for a lecture I’m working on, and my mentor
suggested this one. I had never heard of it before. Honestly, I groaned when I
looked it up online because I have a love/hate relationship with middlegrade
fiction. Some of it is brilliant, but a lot of it is too silly for my adult
brain. The cover of this book looks juvenile. The synopsis sounds extremely
juvenile. I braced myself to grit my teeth and plow through it . . .
I’ve never been
so surprised by a book.
A Long Way from Chicago is a composite novel. Each of the nine
chapters is a linked short story about Joey, Mary Alice, and their eccentric
grandmother. The book starts in 1929, when Joey is nine years old, and ends in
1942, when he’s eighteen. Each story is about an adventure he has when he leaves
Chicago to spend a week in a rural town with Grandma.
“Adventure”
again makes this book sound juvenile, but that’s the best word for it. The
adventures are not unrealistic. Joey talks about the first time he sees a dead
body, the first time he flies in a plane, and his desperate attempt to raise $2
for driving lessons. His grandmother helps him achieve his goals and learn
important lessons—in her own bizarre way.
“‘Never trust an ugly woman. She's got a grudge against the world,’ said Grandma, who was no oil painting herself.” – A Long Way from Chicago
The narrator’s
voice is what makes this book readable for adults. Joey is an old man looking
back at his childhood, so the voice in all of the stories is mature. The author
never talks down to the reader. Also, the stories have a very historical feel
to them. Small-town 1930s life is captured in a vivid, believable way. The town
is struggling with Depression-era poverty/alcoholism/trust issues, but the
problems aren’t shoehorned into the stories for educational purposes. The
setting feels very natural. I’ve been reading a ton of historical fiction
lately, and this little book is one of the better middlegrade historical novels
I’ve read.
“The years went by, and Mary Alice and I grew up, slower than we wanted to, faster than we realized.” - A Long Way from Chicago
Grandma is eccentric,
but never in a childlike, unrealistic way. She’s actually one of the most
complex adult characters I’ve come across in children’s fiction. I totally
believe a woman like Grandma could exist. She values her privacy and hates
small-town gossip, but she’s not afraid to step in when something goes wrong.
She’s a strong woman who has a unique way of solving problems. Basically, she’s
an elderly, cantankerous, Depression-era Robin Hood.
I enjoyed every
story in this book (which I don’t say often about short story collections), but
these are the standouts:
In “Shotgun
Cheatham’s Last Night Above Ground,” Grandma invents an impressive history for
a man who died in poverty.
“The Day of
Judgment” starts with Grandma reluctantly agreeing to enter a pie-making
contest and ends with Grandma scamming her way onto an airplane.
In “A One-Woman
Crime Wave,” Grandma commits a series of small crimes in order to prepare a
feast for the homeless drifters who wander through town.
“I don’t think Grandma’s a very good influence on us.” – A Long Way from Chicago
I’m struggling
to come up with something I didn’t like. I guess, for adult readers, the
stories are a bit predictable and repetitive. They all follow the same basic
outline: kids go to Grandma’s house; Grandma does something potentially deadly;
the reader finds out that Grandma has a good reason for what she does. The
repetition isn’t a criticism, though, because this is a children’s book, and I
don’t think I would have noticed it as a child.
A
Long Way from Chicago is
a quick, entertaining read. I guess the lesson here is “Don’t judge a book by
its cover . . . or its synopsis.”
This really doesn't sound like something I would read but I'm glad it worked out well for you since you were kind of forced into it! I have similar issues with short stories and middle grade, so this might be one that I would give a chance at some point. Great review!
ReplyDeleteTracy @ Cornerfolds
Yeah, it doesn’t sound like your type of book, but it sure surprised me. :)
DeleteAj @ Read All The Things!
I have never been disappointed by a Richard Peck book, although I think they all suffer from juvenile covers and synopses. I was going to say, "Maybe they need to change those," but I guess you and I are not the target audience after all.
ReplyDeleteI had seen Richard Peck books before, but I never read one because they didn’t sound interesting. Maybe I should reconsider that.
DeleteAj @ Read All The Things!
I love the sound of this! I'm like you with middle grade fiction. I generally just avoid it altogether because for me it's pretty hit and miss - either good or terrible. But this one seems like it really does a good job with the whole middle grade feel and still brings across a great story.
ReplyDelete