The Lover – Marguerite Duras
Set in the prewar Indochina of Marguerite Duras’s childhood, this is the haunting tale of a tumultuous affair between an adolescent French girl and her Chinese lover. In spare yet luminous prose, Duras evokes life on the margins of Saigon in the waning days of France’s colonial empire, and its representation in the passionate relationship between two unforgettable outcasts.
Review: This is a review of the English translation of a French
novel.
Sometimes, it
can be good when school forces me to read a book. College and grad school have
helped me discover many amazing stories that I never would have picked up on my
own. Other times, (okay, most times) forced school reads are awful slogs that I
wish I’d never laid eyes on. For me, The
Lover is closer to the second category than the first. I didn’t hate it, but
it’s not my kind of book.
The Lover is a semi-autobiographical novel set in French
Indochina. The narrator, a young French girl who is based on the author, has a
terrible home life. Her father is dead, her mother struggles with a serious
mental illness, and her older brother is a tyrant with a gambling addiction. One
day, the teenage narrator meets a wealthy Chinese businessman. They are both
intrigued by each other and quickly begin a sexual relationship. Their sexual
encounters are illegal (because of her age) and socially unacceptable (because
they are different races and classes). The affair grows into something that
will haunt both of them for the rest of their lives.
“Suddenly, all at once, she knows, knows that he doesn't understand her, that he never will, that he lacks the power to understand such perverseness. And that he can never move fast enough to catch her.” - The Lover
I’m a book
structure junkie. I love books with intricate structures that make me work to
figure them out. This novel definitely has a challenging structure. I had to
read the whole book twice before I felt like I fully understood it. The
narrator is an old woman who is looking back at her childhood, so the timeline
jumps unexpectedly between the past and present. There are a lot of plot
tangents and random details. Most of the characters are unnamed, events are
alluded to but not explained, and the narrator often talks about herself in
third person. I read the book once to sort out the structure and once to
understand the story. If you want to read this one, be prepared to work a
little.
I actually
really like the structure. It makes the novel feel like a diary, or like the
reader is delving in and out of an old woman’s fragmented memories. The writing
style is too ornate and repetitive for my tastes, but there is some beautiful
description. I especially like how the narrator talks about herself:
“It has been my face. It's got older still, of course, but less, comparatively, than it would otherwise have done. It's scored with deep, dry wrinkles, the skin is cracked. But my face hasn't collapsed, as some with fine features have done. It's kept the same contours, but its substance has been laid waste. I have a face laid waste.” - The Lover“I know it's not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction of costliness of their finery. I know the problem lies elsewhere. I don't know where. I only know it isn't where women think.” - The Lover
My biggest issue
with this book is that the story didn’t hold my attention. This novel is tiny
(about 130 pages), and there is a lot
going on. There’s political unrest in Indochina, the narrator has severe family
issues, she’s involved in a forbidden
affair, she’s discovering her sexuality, and she may (possibly?) have a crush
on a female classmate. That’s a lot to cram into 130 pages. The author didn’t
get deep enough into any of these issues to hook me. I never grew to care about
the narrator or her problems. Everything seems very detached and surface-level,
which is probably what the author intended, but it led to me getting bored.
Quickly.
I can appreciate
this book, and I think I know what other people love about it, but it didn’t
quite work for me.
I only gave it 3 of 5 stars, so I guess I didn't like it as much as I remembered liking it. LOL. It's still nice to see you review a book that I've read, though.
ReplyDeleteThanks! I can see why people like it. The forbidden love plot just isn’t the type of thing that interests me.
DeleteAj @ Read All The Things!
You read the most classic of books and I feel so uncultured when I get to your blog lol. I never heard of this but it looks interesting!
ReplyDeleteLol, it’s school’s fault I read this one. They try so hard to make me cultured.
DeleteAj @ Read All The Things!
Your last sentence rings true about so many books I read when I was in college.
ReplyDeleteMy problem with novellas and short story collections is simply that not enough words are devoted to tell a story fully - to my liking. Some do manage to tell a compelling narrative, but often that's not the case. I like reading for pleasure and immersion, and I also seem to prefer longer works.