Friday, May 16, 2014

Peace Out, Interwebs


I don’t think I’ve formally announced this, but earlier this year, I was accepted to the Writing for Children and Young Adults MFA program at Spalding University in Louisville, Kentucky. Going to graduate school for writing has been one of my goals for a long time. Even though it’s a lot of work, I’m very excited and fortunate that I have the opportunity to do this. A lot of writers never get to go to graduate school. I’m leaving for Louisville next week. I haven’t even left yet, and I’m already busy and stressed out, so I’ve decided to take a break from blogging. I probably won’t post anything for the next 2-3 weeks. After that, I should have a lot to tell you.


So, peace out, internet. I’ll see you in a few weeks.  

Friday, May 9, 2014

What Are Writing Workshops Really Like? (Part 2)


Last week, I wrote about what in-person writing workshops are really like. This week, I’ll talk about my experiences with online workshops. A lot of what I wrote about last week also applies to online writing workshops, so please check out that post. These are just my experiences. Yours might be different.

The Format


Online writing workshops vary a lot in how they’re run. Sometimes you post your writing on a website and wait until somebody critiques it. Sometimes your writing is emailed to the workshop members, and the critiques are emailed to you. The number of critiques that you’re required to write totally depends on the workshop.

My Experience


One of the best decisions that I made in my life was joining an adult online writing workshop when I was a teenager. I was just starting to get serious about writing. Almost all of the writers in the workshop were much better and more experienced than me. Most of them were extremely kind, patient, and helpful. They corrected all of my beginner mistakes. I learned so much from them that when I started taking beginner writing workshops in college, I felt like I was ahead of the other students. I already knew what the professors were teaching because I’d already learned it in the online writing workshop. It definitely made me more comfortable in the college-level workshops. I also probably got better grades than I would have if I hadn’t been in the online workshop for years before I started college. The online workshop was great for a beginner like me. For a writing workshop, it was also very inexpensive. I think it was $47 a year back in the early 2000s.

It’s difficult to find a good online writing workshop that doesn’t cost a ton of money, especially if you’re an experienced writer. Most of the free workshops that I’ve come across are made up of inexperienced writers who are just starting their writing careers. These free workshops might be great for beginners, but they might not give experienced writers the help they need. I’ve seen a lot of critiques of experienced writers that say, “This is a great story. There isn’t anything wrong with it.” That always makes me wonder if the person giving the critique isn’t experienced enough with writing to see the problems. That kind of critique also isn’t helpful for the writer. I ended up quitting the writing workshop that I joined as a teenager because as I became a better writer, the critiques became less and less helpful. I still wasn’t a good writer, so if I wanted to keep getting better, I needed to find a different writing workshop.

I tried a few other inexpensive online writing workshops, but I still wasn’t getting the help I needed. For every great critique, I was getting two or three that just said, “This is a good story.” Writing workshops can be time consuming. You have to write and revise your own writing as well as critique other people’s writing. There are often strict due dates. I did learn a lot from critiquing other people’s writing, but the critiques that I was getting weren’t worth the work that it took to participate in the workshop.

By far the best online workshops that I’ve done were run by colleges. A lot of colleges offer online classes, including writing workshops. The workshops are led by professors. The workshop members are taught how to write good critiques, and the critiques are often graded, so there is incentive for the workshop members to do a good job on them. I almost always got helpful critiques from college online writing workshops. The only drawback to these workshops is the cost. They’re usually several hundred dollars. You might also have to apply and be accepted to the college before you’re allowed to take them.  

The moral of the story: if you find an online workshop that fits your needs and gives quality critiques, then join it. Good online workshops seem to be rare beasts.

The Trolls


A lot of online writing workshops don’t have a workshop leader who keeps tight control over what’s happening. In many cases, anyone can join an online workshop, and the workshop leader doesn’t read the critiques unless somebody complains about something. There are often trolls in these workshops who join just to cause trouble, give cruel critiques, and upset people. Be prepared to get a few troll critiques in an online workshop. Either ignore them or report them to the workshop leader.

The strangest thing that ever happened to me in an online workshop? Nothing too bad has ever happened. I once got a religious sermon instead of a critique. The person who gave me the sermon then flooded my inbox with Bible quotes. When I was a teenager, I got a very detailed critique that compared my writing style to cat food. According to the critique, my writing style was chunky, unappealing, and not something that you want to look at very closely or for very long.

So, that’s online writing workshops for you.





Friday, May 2, 2014

What Are Writing Workshops Really Like? (Part 1)


I think it was Stephen King who said that a bad writing workshop does more harm than good.

That’s totally true. I’ve been in writing workshops at several different schools, at a nonprofit adult-education organization, and online. I’ve been in good workshops and bad workshops. This blog post is just about my experience. Yours might be different. I’ll talk about online workshops next week. This week’s post is about in-person workshops.

The Format


At an in-person workshop, the members’ written pieces are distributed a few days or weeks before the workshop. Before the workshop, every person writes a critique of the piece being workshopped that day and puts notes in the piece’s margins. Most workshops have rules about the length of the critique: I’ve written critiques that were anywhere from a paragraph long to several pages long.

On the day of the workshop, bring your critique and your copy of the piece with the margin notes. Usually, everybody sits in a circle or at a long table so that you can all see each other. The author is then asked to read part of the piece out loud. After that, the author isn’t allowed to speak anymore. The author sits silently and takes notes during the workshop. The author isn’t allowed to explain or defend their work. The workshop itself is just a conversation about the author’s work. What’s good about it? What isn’t working? What’s confusing? There is often disagreement in workshops, so the author has to decide which comments to listen to and which to ignore. Usually, if more than one person brings up the same issue, then the author should listen to them.

At the end of the workshop, the author is sometimes given a few minutes to ask for clarification about anything that was brought up during the workshop. All of the workshop members give their critiques and notes to the author. And that’s the end.

The Critique


A lot of workshops have strict rules about how critiques need to be written. Be nice. Always explain why you like or don’t like something about a piece. Some workshops allow you to point out problems in a piece but not make suggestions about how to fix the problem. Critiques are written in “compliment sandwich” form. Start and end the critique by praising something in the piece. Keep the criticism in the middle and try to layer praise and criticism.

Your Writing


What type of piece should you submit to the workshop? Something that fits the guidelines of the workshop (most of them have page limits and genre requirements). Pick something that you’re open to having criticized. If you pick a piece that you’re really attached to, you might get your feelings hurt. The piece is going to be criticized. It’s probably going to be criticized a lot. It’s usually helpful to pick something that has problems that you don’t know how to fix. The workshop can help you sort out the problems.

The Nerves


Will you be nervous on the day that your piece is workshopped? Yes. Is there anything that you can do to be less nervous? Probably not.

The Good Workshop


Good workshops are amazing. They’re probably one of the most helpful things that you can do for your writing. If you’re stuck on a piece, a good workshop will get you unstuck. You’ll leave a good workshop feeling great in an “I can totally handle this” type of way.

In a good workshop, everybody is respectful. They understand that the pieces are works-in-progress and not finished pieces. A lot depends on the workshop leader. The leader should keep everything under control and know when to change the subject so that everybody doesn’t start harping on the same point. It can get annoying for the author when everybody keeps pointing out the same problem over and over.

The Mental Hunger Games


Bad workshops are very, very bad. I’ve seen people cry during workshop. I’ve seen people storm out of the room during workshop. I’ve seen heated arguments. I’ve seen a workshop leader scream at the workshop participants. I’ve heard stories of walls being punched, objects being thrown, desks being tipped over.

I quit writing for almost a year after a bad workshop. I was discouraged and no longer interested in anything that had to do with writing. The workshop was so stressful that I felt physically sick on workshop days. I couldn’t get out of the workshop because I needed the college credits.

The biggest problem with this particular workshop was the competitiveness. I’m not competitive at all. Being “the best” is nice, but I’m at a writing workshop to learn and get help. Writing workshops can breed competitiveness because you get to see everybody’s work. Sometimes you can’t help comparing it to your own. At this workshop, some people were tearing down other people to make themselves feel better. Someone called a story “Stupid shit” in front of the author and everyone else. Someone tried to spread a rumor that one of the women in the workshop was a prostitute. There was a lot of trash-talking in the hallway before and after workshop. There was a lot of crying. People were terrified to submit work to the workshop because it was all criticism and very little praise. Some workshop members would praise your story to your face before workshop and then say horrible things about it during workshop. It was all very childish and exhausting. The workshop leader yelled at us but didn’t do much to stop it.

The strangest thing that happened to me during that workshop? I was on Yahoo! in the middle of the night, and an IM popped up. It was from one of my male classmates. It said, “You’re a horrible writer, but at least you have a damn fine ass.”

So, that’s writing workshops for you.